Haunting Melody

  Haunting Melody by Flo Fitzpatrick

  ****

  Published by Flo Fitzpatrick

  Copyright © 2011 Flo Fitzpatrick

  Smashwords Edition

  Cover Design Copyright © 2011 Kim Van Meter

  Stock images from Dreamstime and fotolia.

  All rights reserved. No part of this may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles and reviews.

  This book is a work of fiction. Names, characters, places and incidents are either products of the author’s imagination or used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is entirely coincidental. All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, without permission in writing from Flo Fitzpatrick.

  Discover other titles by Flo Fitzpatrick at http://www.smashwords.com

  Official website: www.flofitzpatrick.com

  ****

  Chapter 1

  “Hey! Wake up! We’ve got a ghost!”

  A muffled snort was the response from my sleeping companion. I shoved the pile of costume sketches off Lucy’s head. She was drooling. She was also snoring. Put them together and they spell ‘snooling.’ Not an attractive combination and my pillow was now wet with dog slobber as well as tiny black hairs.

  I poked her. “You sorry mutt. You should be whinin’, wailin’, and howlin’. Aren’t canines supposed to be sensitive to spooks? What’s your problem?” I nudged the dog again. “Lucy! Get the ghost, baby girl!”

  Lucy yawned, flopped onto her back, batted the air with her front paws and remained serenely unimpressed.

  “Sheesh. Fine ghost hunter you turned out to be. You’re fired.”

  When the click sounded again, I stayed under the covers. Why bother to get up? No one would be at that door. No one was ever at that door. Nightly, for the three weeks since I moved in, I’d been hearing someone locking and relocking the front door. Nightly, for three weeks, I'd checked. No one was there. I tried tiptoeing to the door, then flinging it open. No one. I peered through the peephole ‘til my eyes hurt. No one.

  I spent another three minutes under the quilt listening to clicks, then threw off the cover and slid out of bed, grabbing a sweatshirt to ward off the strange chill glazing the night.

  Lucy woofed, oozed to the floor, then padded behind me as we crept down the hallway. A brave unit of two, we gingerly peeked around the art deco screen that hid my office from the den. Daily, I turned off that stupid desk lamp. Nightly, someone or some thing turned it on. Last night, in desperation, I’d yanked the plug from the socket.

  The light blazed in cheerful defiance.

  I exhaled. “Lights do not turn themselves on automatically. There’s gotta be a scientific explanation. Electrical whatzits. Energy surge whozits. Wait. I’ve got it! Con Ed malfeasance. They cause black-outs; why not light-ins?”

  The bathroom light was also burning, admittedly through no fault of any outside entity. Sheer forgetfulness on my part. I glimpsed my reflection under the raw fluorescent bulbs, and immeditately wished I hadn’t. Bloodshot eyes. Dark circles under the eyes. Adding a touch of drama was a white streak slashing through my bushy red hair. On closer inspection that turned out to be a toothpaste stain stuck to the mirror. But still . . .

  “Ouch. Not a pretty sight. I’m probably scarin’ the ghost. What happened to the tall foxy chick who arrived in New York four years ago rarin’ to tear up the town?”

  Lucy’s tail swished enthusiastically in wild circles, tapping against the bathroom door. I nodded. “Yep. You got it. She’s gone. Poof.”

  I tiptoed towards the front door, shuddering, partly from cold and partly from fear, then peeked through the keyhole. To no one’s surprise (particularly mine) there was nobody there. Nothing. Nada. Zippo.

  I sighed. “Mel Flynn. Do not make yourself nuts. Just ‘cause there’s an extra entity in the apartment doesn’t mean you’ve gone one seam short of a hemline. Ghosts live in every old New York apartments. I’ll bet spirit soldiers from the Revolutionary War are playin’ poker on a nightly basis in every brownstone in Greenwich Village. Beatin’ the Redcoats with every hand.”

  I felt a draft. I could have sworn I shut the windows earlier. Apparently I’d missed one.

  I hurried to the window and started to slam it shut, but instead leaned over the sill and inhaled the night air. And the rain. There’d been three weeks of cold, gray rain - in New York City in early June. Weird. The torrent had started the same time the locks started turning and the lights started turning on, which was the second night after I'd moved in. What was next? Chains rattling? Shadows shrieking?

  A clap of thunder shook the window. I backed away but tripped over one of Lucy’s chew toys. I picked up the rubber barbell then gave it to my begging dog.

  “Luce, this whole ghost sightin’ thingee is most likely latent insanity in the family. Hits all female Flynns at age twenty- six. A sure sign of incipient lunacy. Or is that insipid?”

  I was saved from spouting forth further incipient, insipid ramblings by sounds of cursing coming from the street below. Lucy’s ears perked up. I stuck my head outside again, shrugging off a possible lightning strike.

  Two boys who looked like they were about eleven were trying to break into a new Honda with a crowbar. I was tempted to run downstairs and demonstrate my skills in breaking and entering, courtesy of my best friend Savanna’s five older brothers, but the car’s siren began emitting an ear-splitting scream. The kids took off, shattering existing sprint records.

  Three men in black leather came into view. They were linked arm in arm, expertly skating down the street on rollerblades. The man in the middle held an oversized red umbrella high against the rain.

  A late night jogger trotted by at a brisk pace, his baseball cap flashing a rusty orange under the street lamp. A soggy golden retriever, identical in color to the cap, galloped happily at the runner’s heels, reveling in the freedom of splashing through puddles. They seemed familiar. Maybe from Washington Square Park where Lucy and I had started running?

  A sharp whistle sounded, then a male voice shouted, “Dee Gee. Come!” The dog stopped his less-than-graceful choreographed version of “Singing in the Rain” and obediently trotted towards his master. The pair disappeared around the corner. I continued to gaze out at the dark, rain-slick streets, now empty of activity, until a spate of cold water doused me full across my chest. I slammed the window shut.

  Lucy yawned. I yawned. She had the right idea. Sleep.

  After exchanging the soggy sweats for dry, I plopped back on the bed. Lucy joined me. I patted her soft furry head and stared at my ceiling.

  I loved my new apartment. The décor was all mine, even if much of it smacked of that period called Early Great Aunt. Matisse and Erte prints hung securely above my new drafting table. Renaissance colors of ruby and jade complemented the antiques graciously donated by my personal Early Great Aunt, Teresa Flynn, painter and collector of fine objects d’art. The den held the Baby Grand (another Aunt Teresa donation) that solidly occupied an entire corner. Huge windows in every room. Wood floors. The park four blocks away. Not terribly far from my day job, which was designing sewing patterns, but also right in the center of a lot of Village theatres and clubs. Chinese take-out three doors down.

  There had not been a ghost clause included in the lease.

  I tucked the soft comforter close around me. Lucy snuggled by my side.

  The rain buffeted the air-conditioner. Suddenly, I could hear a voice along with the sounds of water tapping. A voice that cried in the night: "Briley. I’m here! Come quickly!"

  Chapt
er 2

  “Wake up! Hey, Mel! Wake up.”

  “Savanna?”

  “Yep. Girl, were you really asleep?”

  I shifted the phone from right hand to left and glanced at the digital clock. “Duh. Yes, Sarah Leah, I was. You’re supposed to be busy choreographing your show, not waking me up in the middle of the damn night. It’s - oh sweet saffron, it’s two! Are you nuts or merely doin’ your best to annoy the hell out of me?”

  “Sorry,” was the far too cheery response. “I’m hyped. I’m outside that new club on Delancey. Great band and serious hunks everywhere. Last Midnight. That’s the name of the club, but come to think of it, it's also when I got here. And quit callin’ me Sarah Leah. I’m not a flippin’ cupcake.”

  “Fine. Savanna. Don’t call me after hours and I’ll keep your real name secret. Like either or us has met anyone in New York who'd really care? So. Is there a real reason you called?”

  “Mel. You sound testy. Too much time spent indoors. Not to mention you’re in serious need of male companionship. You should be out partyin’ with me. Hell, when’s the last time you were even near a man?”

  “Listen, you sex-crazed wench - I saw at least five just last night. Or an hour ago. Whichever came first.”

  I told Savanna about the inept pre-pubescent car thieves, the leather-clad skaters, and the jogger with the wet dog.

  She howled. “Melody! Mel. What is wrong with you? None of the above qualifies. I mean, really! Eleven-year-old boys are not even right for eleven-year-old girls. And three guys in leather together in Greenwich Village? Give me a break. Now the jogger’s a possible, but be wary of guys so intent on being buff they slog through rain after midnight.”

  “Savanna? Focus! You called me? Why?” I yelled.

  “Chill. I just get pissed that you’re frettin’ over that bozo who dumped you last summer and that’s why you won’t put on your dancing shoes and join me and let gorgeous men drink champagne from your shoes and tell you how much they adore red-haired chicks who can stitch like Betsy Ross and tango like an Argentine pro.”

  I growled, “Savanna! I am not cryin’ about that idiot. Swear. I just moved into a new apartment, remember? I am trying to get settled while also creatin’ gorgeous little costumes for your -may I repeat - your - show. Now. You almost got back on track for two seconds. Would you like to lead the train into the station and explain why you’re buggin’ me at this hour? Please?”

  “Gripe. Gripe. Okay. Here ‘tis. We’re stalled on Frolic for about a month. So, my procrastinating buddy, you’ve got a reprieve on finishing the sketches.” She paused. “How they comin’, anywho?”

  Sarah Leah Epstein, aka Savanna, who’s been my best friend since we fought for space at the barré in her family’s dance academy, is choreographing Frolic. At twenty-eight, she’s two years older than I, working on her Masters in Fine Arts in Dance at New York University and driving me loony trying to put together a Way, Way, Faraway Off-Off-Broadway show. And while, yeah, she’s a serious party girl, she’s also a phenomenal choreographer. I didn’t want her worrying about costumes since she’d been fantastic to get me this gig. Who wants a nobody sketching designs for a show? Even if it’s Way-Way-Faraway-Off -Whatever.

  Savanna didn’t need to hear that I was in the middle of an occult crisis that was slowly destroying my creative processes and sleep cycle. If I told her I had a ghost she’d be so thrilled she’d haul over here leading the band from Last Midnight to conduct all-night séances.

  I shuddered. Then I lied. “Goin’ beautifully. Although I am havin' a problem or two with the fairies. I’ve tried pastels. I’ve tried sheers and lace robes. How does naked grab you?”

  Another snort. “Have you seen the fairies? Not exactly a chorus line of beauties. We’re talkin’ 5’2” and 180. Sumo wrestlers are prettier. Where were Jason’s brains - or eyes - when he cast ’em?”

  “Good point. I will clothe the ladies in splendor. Or tents. Eventually. Actually, fairies are first up on the program for tomorrow’s designs. Assuming someone -who shall remain nameless - lets me get some sleep.”

  “Damn, but you’re cranky. Guess there’s no point in trying to coax you into joining me at Last Midnight for some serious hound-doggin’?”

  “Savanna. I’m hangin’ up now. Call me past midnight again and you die. Got it? Bye.”

  “Bye, Mel. Brunch Sunday?”

  “Yep.”

  I replaced the receiver.

  Visions of fairies, thankfully clad, began dancing through my head. I could hear strains of music as the sprites cavorted in my dreams.

  I blinked. I did hear music. This was no dream.

  “I hear singing. Live. Not a CD. Irving Berlin? Wait! What?”

  I sat up, and then checked the lighted alarm by the bed. Three a.m. Between ghost hunting and Savanna’s call I’d managed forty-five minutes of sleep time.

  The singing stopped. It must have been wafting down from one of the other apartments. A neighbor warming up for an audition? A vocal coach giving a lesson? At three in the morning.

  I was lying to myself. That voice was my ghost.

  I gave up trying to get to sleep and headed for the desk where I’d left my designs for "Frolic," a musical adaptation of "A Midsummer Nights Dream" set in Egypt during the Victorian age. Honest.

  The sketches lay untouched and unfinished.

  I flipped on the desk light and stared for ten minutes just at the designs for Oberon’s costume. Nothing hit me that was exactly Tony Award winning. I began fiddling with the shefflera I’d placed next the right side of the desk, wondering if I should move it to the left where it could get more sun. Assuming the sun ever shone again. I stopped.

  The shefflera was wet. It should have been parched. I hadn’t watered it in three weeks.

  I roamed the apartment, testing various other flora and fauna. Including a ficus tree near the kitchen. Wet as well, even though, like the shefflera, I’d ignored it for several weeks. I should be charged with attempted murder of greenery for my neglect. No one else had been in the apartment. Not even the super. So –– who?

  I was blessed with an environmentally active spook who apparently was hosing the plants.

  I looked up at the ceiling. “ Yo? Spirit? After you’re done gardening, wanna take a whack at designin’ costumes for fat fairies? Hey! Make yourself really useful. Whip up an omelet?”

  I exhaled. “I’m talkin’ to a ghost.”

  I tiptoed into the kitchen with some trepidation. Uninhabited. No current signs of spectral activity, but I wasn’t optimistic as to possibilities for the near future.

  “Hmm. Bloodstains tomorrow?”

  Lucy barked in anticipation.

  I wandered back to my desk then turned on the radio. The classic rock station was playing Chris de Burgh’s "Don’t Pay the Ferryman." When I’d gone to bed the first time it had been Kansas’ "Dust in the Wind." I shivered.

  I lowered the volume then pulled up my research notes on the computer for fashions of the early 20th Century, specifically what the well-dressed archeologists were modeling at digs throughout the Middle East, for ideas on Frolic costumes. I sketched in something for Titania, and then quickly erased it. Pith helmets and riding trousers with boots were just too clichéd. Maybe naked wasn’t such a bad idea.

  I began nodding to the rhythm of the heavy raindrops hitting the air-conditioner. Then I realized that tapping was inside the apartment. So was the rain. The window was open – again - and the rain was coming in. I got up, slammed down the pane then started wiping off the window seat.

  A different sound filled the apartment. Very faint but I’d heard it before less than an hour ago.

  I groaned. “Oh, howdy-doody, it is Irving Berlin. 'A Pretty Girl is Like a Melody.' Some damned ghost is serenading me with old musical tunes. She’s lockin’ doors, switching on lights, waterin’ the shrubbery, openin’ windows in the rain. And now auditionin’ for Broadway?”

  I headed for the piano. Perhaps pla
ying a song or two on the old Grand would ease my shredded nerves. The neighbors probably wouldn’t be pleased but then again - they might be thrilled. It’s an artsy building. I froze. A piece of sheet music I’d never bought lay on the piano. The song was "A Pretty Girl is Like a Melody." Copyright date was 1919.

  “That’s it! I’m leavin’ before I start looking up Exorcists-R-Us.”

  I quickly threw open the doors to what passed for a closet and found a pair of black gaucho pants and a slinky black turtleneck top. Then I laced up my new black granny boots with trembling fingers and tore out of Apartment 413 like the demons of hell were after me. For all I knew –– they were.

  A smart girl would have run right across the hall to pound on the door of the gay couple who’d kindly helped that smart girl move a few pieces of furniture into the apartment. Did I do the smart thing? Nope. I ran downstairs to the third floor where I’d yet to see any of the residents.

  Two minutes later, Lucy and I stood in front of Apartment 313. “Four in the mornin’ and I’m knockin’ on a stranger’s door. In New York. Bright move, Mel. Can you say ‘possible serial killer’?”

  I tried to stop trembling. Much as I loved my dog I needed human companionship just now - even from what would doubtless be one angry tenant. I hoped he or she didn’t own a gun.

  I lifted my hand to knock. The door flew open before my fingers ever touched wood.

  Standing dazzlingly resplendent with dyed orange hair tucked under a black Mets baseball cap; wearing a neon orange leather mini-skirt, a fuschia Animaniacs T-shirt, and green Shrek fuzzy slippers, was a four-foot-five-inch-tall, somewhat elderly gnome. She glared at me.

  “Gotta ghost, doncha.”

  It was not a question.

  Chapter 3

  “How in Memphis blues did you . . . ?”

  “Fiona Belle Donovan Winthorp. Call me Belle. Or Fiona Belle. Just not Winthorp. I despised that man.”